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Ghost Image

Hervé Guibert, Robert Bononno (translator)

Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed.Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer.With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.

Hervé Guibert

Hervé Guibert (1955-91) was born and worked in Paris. A noted photographer, he also contributed articles on culture to the French newspaper Le Monde and wrote works of fiction and books on photography.

Robert Bononno

Robert Bononno, a teacher and translator, lives in New York City. His recent translations include Speech Begins after Death by Michel Foucault (Minnesota, 2013) and Cosmopolitics I and II by Isabelle Stengers (Minnesota, 2010-11).  

Praise

“Futility and botched execution are the immortal matter of Guibert’s method. Futility and botched execution—combined, in Guibert’s work, with finesse, concision, and a heavy dose of negative capability, which includes curiosity about the worst things that can befall a body—are undying aesthetic and spiritual values, worth cherishing in any literature we dare to call our own.”—Wayne Koestenbaum | Bookforum “Ghost Image is essential Guibert—an artist’s penetrating look at his own profession and obsessions. It is animated and validated by prickly sensations and thrusts of thought that occur during composition—an accomplished photographer’s narrative that exists thanks to the virtuous failures of photos.”—Ron Slate | On the Seawall “Excellent examples of Hervé Guibert’s talent and style. A French writer and photographer who died from AIDS in 1991 at the age of 36, Guibert drew much of his work from his own life and his love of photography. He was especially interested in the surprising effects photographs can produce on people, not just on the subject and observers but also on the photographer as well.”—Charles Green | Gay & Lesbian Review / WORLDWIDE “Guibert’s rhythmic descriptions of his relationship to images at various stages of his life manage to convey the transience of life and memory that the photographer is always struggling to overcome. . . . A lyrical, elegiac celebration of the medium and its implications—a provocative and highly original investigation.”—Kirkus 

“Quick, candid, and exquisitely felt.” —Publishers Weekly

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