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Oct 20
Exhibition
Jacques Sémelin The Breman museum
Oct 20
Film
French Film Director Anne Alix in Houston, TX The Museum of Fine Arts, Houston 1001 Bissonnet St Houston, TX 77005
Oct 14
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Jacques Sémelin 1440 Spring St NW Atlanta, GA 30309

Yto Barrada: The Power of Two Suns, at Governors Island

In September, LMCC (Lower Manhattan Cultural Council) will celebrate the opening of the first permanent home for artists and audiences on Governors Island. The exhibition will open with a new exhibition of Yto Barrada The Power of Two Suns from september 19 to october 31.This project received the Etant Donnés support.

Yto Barrada’s work—including photography, film, sculpture, prints and installations—began by exploring the peculiar situation of her hometown Tangier. Her work has been exhibited at Tate Modern, the Barbican, MoMA, The Metropolitan Museum, Renaissance Society, Witte de With, the Walker Art Centre, Whitechapel Gallery and the 2007 and 2011 Venice Biennales. In 2013-14 she was Artist in Residence at the Textile Arts Center. She has taught at Bard College, Cooper Union, and the Vevey School of Photography.

Barrada was the 2011 Deutsche Bank Artist of the Year, the 2013 Robert Gardner Fellow in Photography (Peabody Museum at Harvard University), the 2015 Abraaj Group Art Prize winner, the 2016 Canon Tiger Awards for Short Films and was shortlisted for the 2016 Marcel Duchamp Award.

She is the founding director of the Tangier Cinematheque, North Africa’s first cinema cultural center, which opened its doors as an artist-run nonprofit in 2007 and currently lives in New York.

In The Power of Two Suns, Barrada invites a fellow artist into her space: Bettina, who once lost all her work to a devastating fire, before remaking it over decades from the solitary refuge of a room in the Chelsea Hotel. If environmental catastrophe stems in part from the amplified solar radiation caused by the greenhouse effect, can solace be found in the amplifying power of solidarity? Yto and Bettina share an interest in collecting, in grids and taxonomies, in language and wordplay, and in that special place where the patience of craft meets the intelligence of concept.

 

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