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Pierre Moscovici with Adam Tooze Maison Française de Columbia, East Gallery, Buell Hall

Corot: Women

Jean-Baptiste-Camille Corot; Corot's Studio: Woman Seated before an Easel, a Mandolin in Her Hand, c. 1868; National Gallery of Art, Washington, Widener Collection

Camille Corot is best known as the great master of landscape painting in the 19th century who bridged the French neoclassical tradition with the impressionist movement of the 1870s. His figure paintings constitute a much smaller, less well-known portion of his oeuvre, but arguably are of equal importance to the history of art, in particular for the founders of modernist painting such as Paul Cézanne, Pablo Picasso, and Georges Braque. Dressed in rustic Italian costume or stretched nude on a grassy plain, Corot’s women read, dream, and gaze, conveying a mysterious sense of inner life. His sophisticated use of color and his deft, delicate touch applied to the female form resulted in pictures of quiet majesty.

The exhibition is curated by Mary Morton, curator and head of the department of French paintings, National Gallery of Art.

Admission is free and passes are not required.

RELATED ACTIVITIES

Lecture Introduction to the Exhibition—Corot: Women
September 9, 2:00 p.m. East Building Auditorium
Mary Morton, curator and head, department of French paintings, National Gallery of Art. A signing of the exhibition catalog follows.

Concert Living Art Collective Ensemble (LACE) and Elisa Monte Dance Company
September 16, 3:30 p.m. West Building, East Garden Court
LACE and Elisa Monte Dance Company presents Corot and His Circle

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