• Events
SEE ALL
Jun 26
TOUR
Vincent Peirani US Tour 400 Soldiers Field Road Boston, MA 02134
Jun 27
Concert
Love of Life Session at 25th Street Recording 25th Street Recording Oakland

Jean-Luc Moulène at SculptureCenter

Jean-Luc Moulène, Study for More or Less Bone (Formal Topological Optimization)(Paris-NY, 2018-19).

From April 29 to July 29, SculptureCenter presents More or Less Bone (Formal Topological Optimization) (Paris-NY, 2018-19), a monumental new work in fiberglass and epoxy paint by Jean-Luc Moulène.

Initially known for his enigmatic photographic endeavors, Moulène’s more recent projects have investigated the intersections of advanced technology and contemporary material culture. In consideration of current advances in 3D modeling and fabrication, Moulène compares this moment in the history of object making to the advent of photography and its total transformation of human experience. While photography reproduced the world as an image, we are now about to print it in 3D.

Moulène insists that no work of art exists “without conditions and constraints...without material, economic, historic, and bodily conditions.” For More or Less Bone, Moulène pragmatically centers the production of his work on these conditions, generating form through the exploitation of advanced engineering procedures, or, as the artist describes, making “a piece that is nothing but its own condition of existence.”

For this new commission, Moulène has collaborated closely with engineers from Aerospace Valley (France’s Silicon Valley) with advanced expertise in formal optimization, wherein the form of an object is defined through a process that identifies the best (most efficient, least wasteful) solution given a set of discrete variables. The “problem” devised by the artist is to produce an optimized form connecting three generic objects: a sphere (an abstract form), a spiral staircase (a constructed form), and a knucklebone (an organic form). Modeling these conditions in CATIA and other software, Moulène and the engineers introduced further constraints, manipulating the form of this “object of juncture” to account for a set volume, scale, terrestrial gravity, the material properties of fiberglass, and environmental conditions like wind and earthquakes.

Born in 1955, Jean-Luc Moulène studied Aesthetics and Sciences of Art at the Sorbonne University in Paris, where he currently lives and works. He participated in the Taipei Biennial (2016 and 2004), the Sharjah Biennial (2010), the First International Biennial of the Image (Laos, 2007), the Venice Bienniale (2003), the São Paulo Biennial (2002), and Documenta X (1997). Among the institutions that have dedicated solo exhibitions to his work are the Secession, Vienna (2017); Centre Pompidou, Paris (2016-17); Villa Medici, Rome (2015); Kunstverein Hannover (2015); Dia:Beacon, New York (2011-12); Carré d’Art-Musée d’art contemporain, Nîmes (2009); Culturgest, Lisbon (2007); Musée du Louvre, Paris (2005); and Centre d'Art Contemporain Genève (2003).

This project is curated by Mary Ceruti, Executive Director, Walker Art Center (formerly SculptureCenter Executive Director and Chief Curator) with Sohrab Mohebbi, Curator, SculptureCenter.

RELATED