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Mar27
Apr7
Film Series
New Directors/New Films festival 2019 MoMA 11 West 53 Street New York, NY 10019 The Walter Reade Theater 165 W. 65th Street New York, NY 10023
Mar 27
Talk
French Literary Evening with Arthur Dreyfus Lycée Français De New York 505 East 75th Street Cultural Center auditorium New York, NY 10021 United States
Mar 26
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La Fresque by Ballet Preljocaj Power Center 121 Fletcher Street Ann Arbor, MI 48109

Interview with Olivier Py's American Actors

The four American actors (Alex, Nadia, Whit, and Ben) of Olivier Py’s musical The Young Girl, The Devil and The Mill shared some of their experiences working with Bertrand de Roffignac, Assistant Director (Bertrand was also one of the actors of the production in France.)

The performance opens on March 2nd at FIAF, part of Tilt Kids Festival 2019.

Join us!

Alex Burnette (The Prince)

Working with Olivier and Bertrand has been exceptionally rewarding because I feel that there are a lot of themes in French culture that are maybe not so prevalent in American theater culture.

I feel like we actually work similarly [here in the States]. It is kind of organic:  We are on our feet all the time, the collaborative process is very creative. It is fulfilling and involved. The production is a more mature introduction into adulthood. 

I was surprised how similarly Olivier and Bertrand are to American theatre artists. They are spontaneous and passionate and willing to let us offer input in the show. We are working together; it is a collaborative process: They are interested in our ideas creatively and we can add things to  the show. We can compose things musically that help tell the story more for American audiences as supposed to French audiences.

They ask for our inputs for things from the American culture that we want to put in the show to make things flow better. It is exciting because it is a very creative hands-on process.

Nadia Duncan (The Young Girl)

This piece was definitely one of the hardest shows I`ve ever tackled. I`ve never had a full professional rehearsal schedule like this one: 10 to 5, 6 days a week: That was all super new to me and honestly, it`s incredible how much tenacity I gained from doing this.

Working with Bertrand, with Olivier, doing so much physicality, so much singing and music and so many cues; this performance is truly challenging me as an actor.

I feel so proud and happy that I had this experience: this will be my first full-length professional play in New York City; I never imagined that I would have a chance like this while still studying in college. This piece and FIAF will always hold a special place in my heart.

Whit K. Lee (The Devil)

I love working on the show. It is a very physical production which is something I love doing, personally. It is very similar to what I have been doing:  Playing the violin, acting, singing, all at once. It is so much fun to do. I just did a production at Steppenwolf Theater in Chicago and it was very bold. This project has that same kind of feel: bold.

I really loved working with Bertrand: he gave us the freedom to create, to develop. He encouraged us to create, experiment and find stuff.  As an actor, it is very appreciated. And he has so much energy!

Working with him and Olivier was really exciting.  I was very interested in the project when I started, because I was curious to see what the cultural difference would be, if there was going to be any difference. The idea of taking a show from France was very exciting.

I also had very good talks with Bertrand about the French theater environment, the government support in France. That was also really fun too.

Ben Rauch (The Gardener)

Olivier and Bertrand, they are both trained actors, real actors. Sometimes you have directors, they don’t have really acting and training background. In this case, Bertrand and Olivier, they know how to speak to actors. They speak your language;  they are able to easily articulate what they want. It is 100% clear what they are looking for. Their instinct is so good.

Also they let us being creative. They encouraged the creativity,  the spontaneity, and brought out the best from all of us. I could bring my own ideas, and they would say: all that’s good. Try it a different way. It was not judgmental but playful.  It is the best.

They let us eat pain au chocolat every day. No, I’m kidding.

Bertrand de Roffignac 

Quel était le challenge pour toi qui as fait partie de la production en tant qu’acteur de remonter avec une troupe de comédiens américains la production d’Olivier ?

Être à la fois fidèle au spectacle original tout en offrant aux interprètes une marge de liberté qui leur permettrait de se l’approprier.  Réinventer avec les spécificités culturelles et linguistiques de cette équipe. Je pense que nous y somme parvenus aussi bien grâce aux qualités du texte d’Olivier que par le talent indéniable d’Alex, Whit, Nadia et Ben. 

 

THANK YOU, All. See you on March 2nd
nicole

 

 

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