Since the 1960s, Nicola L. has occupied a unique position through her interdisciplinary practice. She creates works that are thematically connected but take on many different forms and formats, from performance to film to domestic objects. Her exhibition at SculptureCenter is the artist's first institutional survey, including works from her wide-reaching oeuvre from the late 1960s to 2000s, showing her "functional art" alongside her paintings and collages, as well as video.

In the 1960s, Nicola L. worked as an artist between Ibiza and Paris, connecting with other key figures exploring Pop, including Yves Klein, Marta Minujín, and Alberto Greco. In the late 1970s, she moved to New York City, where she currently resides in the Chelsea Hotel. Nicola L.'s work takes up notions of skin and surface, often breaking apart representations of the body and turning them into furniture-like objects and vice versa. Dressers, lamps, sofas, and other items resembling human forms comprise her functional objects. This body of work appears as a cast of characters; physically confronting their human counterparts as they open and close, turn off and on, and store personal items. Her series of Penetrable works, initially conceived to be entered or worn by viewers and/or performers, extends the body's exterior, skin, into vinyl and textile casings that enclose single or multiple bodies within another layer of material. An emphasis on superficial coverings and caricaturized anthropomorphic objects ties into Nicola L.'s longstanding interests in feminism and in interrogating constructions of subjectivity.

On the occasion of Nicola L.: Works, 1968 to the Present, SculptureCenter will present a staged reading of The Banquet of the Beheaded, a performance work by Nicola L. originally mounted at La MaMa E.T.C. in New York in January 1999.The work will be read by Alexandra Cunningham Cameron, Kyle Dancewicz, Brian Droitcour, Moriah Evans, Ruba Katrib, Baseera Khan, Kayode Ojo, Jessi Reaves, Silas Riener, Aki Sasamoto, Jamie Stevens, Julia Trotta, and C. Spencer Yeh.

The Banquet of the Beheaded is a collection of monologues delivered at a dinner party for decapitated historical figures. At this meeting, twelve characters (originally staged with actors' heads poking through the surface of a long table) assemble to describe the circumstances of their iconic deaths, aiming to correct the historical record and reassess the relevance of their fates.

Nicola L.: Works, 1968 to the Present is curated by SculptureCenter Curator Ruba Katrib and is accompanied by a fully-illustrated publication with essays by Katrib and Erica F. Battle, Associate Curator of Contemporary Art, Philadelphia Museum of Art.


DATES: September 18 - December 18, 2017
LOCATION: SculptureCenter
Click here for more information
SculptureCenter 44-19 Purves St, Long Island City, NY 11101

Nicola L. at SculptureCenter

When
September 18 - December 18, 2017
Where
SculptureCenter
44-19 Purves St, Long Island City, NY 11101
Nicola L., White Foot Sofa, 1968. Courtesy the artist and Elga Wimmer PCC, New York

Since the 1960s, Nicola L. has occupied a unique position through her interdisciplinary practice. She creates works that are thematically connected but take on many different forms and formats, from performance to film to domestic objects. Her exhibition at SculptureCenter is the artist's first institutional survey, including works from her wide-reaching oeuvre from the late 1960s to 2000s, showing her "functional art" alongside her paintings and collages, as well as video.

In the 1960s, Nicola L. worked as an artist between Ibiza and Paris, connecting with other key figures exploring Pop, including Yves Klein, Marta Minujín, and Alberto Greco. In the late 1970s, she moved to New York City, where she currently resides in the Chelsea Hotel. Nicola L.'s work takes up notions of skin and surface, often breaking apart representations of the body and turning them into furniture-like objects and vice versa. Dressers, lamps, sofas, and other items resembling human forms comprise her functional objects. This body of work appears as a cast of characters; physically confronting their human counterparts as they open and close, turn off and on, and store personal items. Her series of Penetrable works, initially conceived to be entered or worn by viewers and/or performers, extends the body's exterior, skin, into vinyl and textile casings that enclose single or multiple bodies within another layer of material. An emphasis on superficial coverings and caricaturized anthropomorphic objects ties into Nicola L.'s longstanding interests in feminism and in interrogating constructions of subjectivity.

On the occasion of Nicola L.: Works, 1968 to the Present, SculptureCenter will present a staged reading of The Banquet of the Beheaded, a performance work by Nicola L. originally mounted at La MaMa E.T.C. in New York in January 1999.The work will be read by Alexandra Cunningham Cameron, Kyle Dancewicz, Brian Droitcour, Moriah Evans, Ruba Katrib, Baseera Khan, Kayode Ojo, Jessi Reaves, Silas Riener, Aki Sasamoto, Jamie Stevens, Julia Trotta, and C. Spencer Yeh.

The Banquet of the Beheaded is a collection of monologues delivered at a dinner party for decapitated historical figures. At this meeting, twelve characters (originally staged with actors' heads poking through the surface of a long table) assemble to describe the circumstances of their iconic deaths, aiming to correct the historical record and reassess the relevance of their fates.

Nicola L.: Works, 1968 to the Present is curated by SculptureCenter Curator Ruba Katrib and is accompanied by a fully-illustrated publication with essays by Katrib and Erica F. Battle, Associate Curator of Contemporary Art, Philadelphia Museum of Art.

 


DATES: September 18 - December 18, 2017
LOCATION: SculptureCenter
Click here for more information
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